Makon da ya gabata, na buga wani cikin zurfin haraji zuwa ga kundin kyan gani na White Zombie Astro-Creep: 2000 - Waƙoƙin Loveauna, Rushewa, da Sauran usa'idodin ofira na Shugaban Wutar Lantarki don bikin cika shekaru 20 da kafuwa. Nayi nasarar jan hankalin mawakin J. Yuenger wanda yan kwanakin nan yake aiki a Waxwork Records, wanda ya fitar da kyawawan rubuce-rubucen vinyl don kyawawan ƙalubalen tsoro kamar Re-Animator, Rosemary's Baby, Ranar Matattu, Creepshow, Chopping Mall, Trick 'R Treat, Jumma'a 13th da Phase IV. A kwanan nan, Yuenger yana aiki don fitar da maki daga shekarar bara Idanun Starry.

Na sami damar yi masa wasu 'yan tambayoyi, don haka karanta idan kuna son ƙarin koyo game da abin da ya kasance, tunaninsa game da White Zombie da Astro-Creep bayan duk waɗannan shekarun, da fina-finan da ya fi so na ban tsoro.

iHorror: Kawo mana takaitaccen tarihin aikin ka tsakanin Farin Zom da yanzu. Me kuka ji daɗin aikatawa mafi yawa a wannan lokacin?

JY: Bayan ƙungiyar ta watse, sai na yi wasa da ra'ayin kasancewa cikin wani rukuni - na ɗan gajeren lokaci. Na fahimci da sauri cewa ina da, don yin magana, na ci caca, kuma tabbas zan bar wasa yayin da nake gaba.

Na aske gashin kaina, na sayi gida, na yi aure. Membersungiyar Band suna da alama suna son soyayya ko ƙiyayya kasancewa a cikin ɗakin, kuma ni da gaske, na ƙaunace shi ƙwarai, wanda ya haifar min da nutsuwa cikin yin rikodi da injiniya, da sayen kaya da yawa, da sanya ɗakunan da za su biyo baya a matsayin wuraren yin rikodin. Ina da (har zuwa shekaru biyu da suka gabata, inda, kwata-kwata ba zato ba tsammani, ƙwarewar koyarwa ya ɗauke ni a kowane lokaci) na yi aiki tare da masu zane-zane da yawa kuma na yi tarin bayanai iri-iri.

'Yan shekaru kaɗan zuwa cikin 2000s, na fahimci cewa rayuwar yau da kullun da nake tsammani ina so ba wai kawai mai raɗaɗi ba ne, amma a zahiri abin ya ba ni mamaki - don haka na siyar da gidan, na sake aure, na koma New Orleans a dai-dai lokacin don Guguwar Katrina.

iH: Gaya mana game da abinda kayi daidai a Waxwork. Ba wa waɗanda ba su da masaniya game da masana'antar yin rikodin yadda za ku ba da gudummawa ga rikodin. 

JY: Misalin da nake yawan amfani da shi lokacin da nake buƙatar bayyana wa wani abin da nake yi shi ne: kun san yadda wani da ke aiki a sashen zane-zane a wata jarida zai iya ɗaukar hoto don fitar da abin dalla-dalla? Mafi kyau har yanzu, watakila: ka san yadda mai fasahar ke aiki a post a fim zai yi launi-gyara hotunan don sanya hannayen jari daban-daban su gudana tare kuma yayi kama da suna cikin fim ɗaya? Abin da nake yi ke nan, amma tare da sauti. Wancan 'Mastering' ne.

Abubuwan da Kayan aiki ke fitarwa galibi kayan da ba'a taɓa sakin su ba, suna zuwa kai tsaye daga kaset ɗin da aka ajiye su a cikin shekaru 20-30-40. Lokuta da yawa, waɗancan kaset ɗin suna taɓarɓarewa kuma sautin yana buƙatar maidowa. Wani lokaci kayan aiki ne waɗanda ba a taɓa so a ji su a wajen fim ɗin ba, kuma akwai buƙatar yin abubuwa da yawa (ɗanɗano). Babban ɓangare na aikin yana taimakawa wajen gano yadda za a gabatar da kayan ga jama'a.

iH: Na fahimci Waxwork yana shirye-shiryen sakin sakamakon daga Idanun Starry. Ta yaya hakan ke faruwa? 

JY: Mai girma. Jonathan Snipes, mawaki, ya rattaba hannu kan matattarar gwaji da rikodin samarwa. Hakanan, wannan shine farkon Sakin kayan aiki inda masu siya na LP zasu sami katin zazzage kyauta.

Da kaina, Ina farin ciki game da wannan saboda ni kamar shi. Abin da nake nufi shi ne, wani lokaci, kundin waƙoƙi ya kasance yana da alaƙa sosai da fim ɗin da ya fito daga - wannan rikodin, kodayake, yana aiki sosai a matsayin waƙoƙin da babu shi. Idan baku gani ba Idanun Starry har yanzu, har yanzu kuna iya jin daɗin kiɗan sosai. Ina son sautunan da yawa (yana amfani da analog synths maimakon kwatankwacin kwamfuta), kuma akwai wasu manyan kade-kade da gaske.

https://www.facebook.com/waxworkrecords/posts/2239864799486088

iH: Waɗanne ayyukan kuke aiki a halin yanzu ko dai tare da Waxwork ko akasin haka?

JY: Fitilar akwatin vinyl mai launin White Zombie mai zuwa ɗaya ce, amma ba zan iya gaya muku abubuwa da yawa game da ita ba saboda akwai sauran aiki a gabansu, samarwa da sauransu. Ya isa in faɗi cewa ni da Sean Yseult mun sanya lokaci mai yawa, kuzari, da kuma rumbunanmu a cikin wannan, kuma da fatan zai haɗa da abubuwa da yawa da ba a taɓa ji ba.

Ya zuwa wannan shekarar, na yi aiki don wasu alamun lakabi (Domino Sound, Last Hurray, St.Roch Recordings, Numero Group). Tare da Waxwork, akwai tarin kyawawan fitarwa masu zuwa: CHUD, wanda ba a sake shi ba ta kowace hanya, Jumma'a Kashi na 13 Kashi na 2, Popul Vuh babban ci ne ga Werner Herzog's Nosferatu, Clive Barker's Daren dare, Da kuma The Warriors - ba kawai asalin kundin asalin kaset na asali ba, amma ingantaccen rikodin rikodi wanda ya hada da cikakken ci, wanda ba a sake shi ba.

iH: Menene sautin fim na ban tsoro da kuke so ku sa hannuwan ku akai?

JY: Abin ƙyama Dr. Phibes, asalin 1973 latsawa. Ba zan iya gaya muku irin son da nake yi wa fim ɗin ba. Kundin na da matukar wuya, kuma na san zan iya shiga yanar gizo in biya kudin da zan samu, amma na ci gaba da tunanin zan same shi a jiki a inda ba tsammani. Wannan shine abin da ke rikodin tattara raha, ka sani?

Har ila yau, ban yi tunanin mutane suna tunanin shi a matsayin fim mai ban tsoro ba, amma ni na yi: fim din Ben Wheatley na 2013 Filin A Ingila- akwai kyakkyawan sakin vinyl na maki, wanda suka yi 400, kuma mai yiwuwa ba zan sami ɗaya ba.

iH: Don haka Astro-Creep yana da shekaru 20. Shin har yanzu kuna farin ciki da shi? Duk abin da kuke so ku canza ko kuna so ku yi daban?

JY: Ba da gaske ba. Ina nufin, wasu madaukai da sautunan samfurin nau'ikan kwanan wata ne (na yanzu, amma waɗannan abubuwan suna da hanyar juyawa cikin ciki da fita ta zamani), amma, a gaskiya, duk wanda ke cikin aikin yana aiki a gefen ikon su sanya shi mafi kyawun rikodin yiwu, kuma hakan yana ci gaba da nunawa. Na yi nisa sosai daga aikin yanzu da zan iya matuƙar godiya ba kawai ɓangare na ba, amma jimlar aikin fasaha.

iH: Mene ne mafi ɓacewa game da kwanakinku a Farin Zombie?

JY: Ina samun wannan tambayar koyaushe, kuma amsar ita ce 'yawon shakatawa'. Tafiya koyaushe tana cikin jinina, don haka na ɗauki rangadi cikin sauƙi, wanda mutane da yawa basa yi. Ina kallon abokaina a cikin makada kuma na rasa irin salon wasan motsa jiki, kodayake ina yawan tafiye-tafiye - da kaina, kuma ina zuwa wasu wurare masu kalubale, don haka hakan daidai ne.

iH: Menene yawon shakatawa na abin tunawa? 

JY: Na farko: Amurka, Bazara, 1989, kai tsaye bayan na shiga ƙungiyar, sannan Turai, Huntun 1989-1990. Muna rayuwa kusan $ 5.00 a rana, muna kwana a kan bene, kuma labaran mahaukata ne. Lokacin da na fara tunani game da shi, ina tsammanin, “za mu iya rubuta littafi”. Wataƙila za mu so. Rayuwa tana samun kwanciyar hankali sosai lokacin da kake hawa zuwa motar yawon shakatawa, amma labaran sun tsaya.

iH: Menene wasu finafinan tsoro da kuka fi so?

Ina da matukar farinciki game da fina-finai na yarinta - abubuwan ban tsoro na shekarun 80s, 'yan Italia, da masu rahusar kasafin kudi da nake kallo sama da sama a wuraren kallon silima lokacin da nake saurayi, amma in faɗi gaskiya, ina tsammanin fim mafi tsoratarwa mai ban tsoro a kowane lokaci yana nan The Exorcist. Na yi imani da shi da gaske, kuma ina samun sabon abu daga gare shi duk lokacin da na ganshi. Iyayena ba za su bar ni in kalli fim ɗin ba, kuma a koyaushe ina jin haushin hakan, sa'annan na sami damar ganin bugawa a wani gidan wasan kwaikwayo na musamman da ke gefen arewa maso yamma na garin Chicago lokacin da nake shekara 15, kuma ni ya kasance kamar, “oh ..”.

Fim dina da na fi so kowane lokaci zai iya zama na Nobuhiko Obayashi ne House, wanda shine, kuma, wataƙila ba tsananin fim mai ban tsoro ba, amma idan kuna buƙatar kwatanta shi da wani fim, wannan fim ɗin zai iya zama Mugun matacce.

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